Experiencing and engaging with photography in print.

We distinguish the 21st century curator-producer from the museum custodian by their active involvement in production and the need to work from an informed, embedded position.

Source: O'Neill, P. and Doherty, C. (2011). Locating the producers. Amsterdam: Valiz.

The expanded field of curatorship supports forms of research-based, dialogical practice in which the processual and the serendipitous overlap with speculative actions and open-ended forms of production.

Source: Morris, D. and O'Neill, P. (2014). Exhibition as social intervention. London: Koenig Books.

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2018 CURATING PHOTOGRAPHY MODULE BA PHOTOGRAPHY DUBLIN INSTITUTE OF TECHNOLOGY, IRELAND. 

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