Experiencing and engaging with photography in print.
We distinguish the 21st century curator-producer from the museum custodian by their active involvement in production and the need to work from an informed, embedded position.
Source: O'Neill, P. and Doherty, C. (2011). Locating the producers. Amsterdam: Valiz.
The expanded field of curatorship supports forms of research-based, dialogical practice in which the processual and the serendipitous overlap with speculative actions and open-ended forms of production.
Source: Morris, D. and O'Neill, P. (2014). Exhibition as social intervention. London: Koenig Books.