Experiencing and engaging with photography in print.

We distinguish the 21st century curator-producer from the museum custodian by their active involvement in production and the need to work from an informed, embedded position.

Source: O'Neill, P. and Doherty, C. (2011). Locating the producers. Amsterdam: Valiz.

The expanded field of curatorship supports forms of research-based, dialogical practice in which the processual and the serendipitous overlap with speculative actions and open-ended forms of production.

Source: Morris, D. and O'Neill, P. (2014). Exhibition as social intervention. London: Koenig Books.

This is an educational project. Where content has been reproduced every effort has been made to credit the source and copyright holders. Please respect the economic and moral rights to their original works and metadata of the artists and authors referenced. Otherwise, content on the site is licensed under a Creative Commons Attribution 4.0 International Licence. CURATING PHOTOGRAPHY MODULE, BA PHOTOGRAPHY, TUDUBLIN, CITY CAMPUS, IRELAND 2020. 

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